Rush HD DVD 30th Annv. concert release?
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Rush HD DVD 30th Annv. concert release?
Geddy Lee confirmed that Rush filmed their Sep. 24, 2004 R30 show "as a historical record of 'this' tour". A recent industry article, however, makes it seem that a great deal of cost and effort went into the recording for a simple "historical record":
"Brad Madix leans over an 80-input Yamaha PM1D inside the cavernous Festhalle, the centerpiece of Frankfurt’s Messe convention complex....A crew of 14 cameras is shooting footage for what will ultimately become Rush’s second DVD music video. The fact that the cameras are HD, shooting in 1080p, indicates the band and its management plan a long and profitable revenue life for this project, well into the arrival of the next generation of high-density disc formats (HD-DVD and Blu-ray Disc) and the proliferating number of high-def broadcast outlets in the U.S. and elsewhere...The video shoot was financed by the band and its Canadian management company, Anthem Entertainment, and will cost several hundreds of thousands of dollars by the time post-production and 5.1 mixing are finished. Thus, it wouldn’t be surprising if the evening’s emphasis naturally tended to be on the shoot over the show. 'The video is expensive, true, and it will be around for a long time in the form of a D! VD,' Maxix concedes." - Rushing Into Something New, FOH Meets DVD on the Rush European Tour, FOHonline, Jan. 2005
Rackable. :o
"Brad Madix leans over an 80-input Yamaha PM1D inside the cavernous Festhalle, the centerpiece of Frankfurt’s Messe convention complex....A crew of 14 cameras is shooting footage for what will ultimately become Rush’s second DVD music video. The fact that the cameras are HD, shooting in 1080p, indicates the band and its management plan a long and profitable revenue life for this project, well into the arrival of the next generation of high-density disc formats (HD-DVD and Blu-ray Disc) and the proliferating number of high-def broadcast outlets in the U.S. and elsewhere...The video shoot was financed by the band and its Canadian management company, Anthem Entertainment, and will cost several hundreds of thousands of dollars by the time post-production and 5.1 mixing are finished. Thus, it wouldn’t be surprising if the evening’s emphasis naturally tended to be on the shoot over the show. 'The video is expensive, true, and it will be around for a long time in the form of a D! VD,' Maxix concedes." - Rushing Into Something New, FOH Meets DVD on the Rush European Tour, FOHonline, Jan. 2005
Rackable. :o
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Moth, they could also release video from Exit..Stage Left, Grace Under Pressure, etc. I only point ed out ASOH because that was the only video I had.mothster wrote:the 'asoh' era was the hight of the band's synthesizer era and lifesons solid state sound---------probably the low-light of the grass roots rush fan
If they are looking into doing all of this upgraded technology, then they should go back to get other footage that they have.
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those should all be out on dvd soonMuchoBulls wrote:Moth, they could also release video from Exit..Stage Left, Grace Under Pressure, etc. I only point ed out ASOH because that was the only video I had.mothster wrote:the 'asoh' era was the hight of the band's synthesizer era and lifesons solid state sound---------probably the low-light of the grass roots rush fan
If they are looking into doing all of this upgraded technology, then they should go back to get other footage that they have.
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If you're going to define the synth era as Signals through and including Hold Your Fire, then you're going to have a hard time convincing me that Power Windows was the definitive synth era effort. If anything, it's the least definitive of those 4 CD's. Signals would top the list in my opinion.mothster wrote:that doesn't make it the definitive synth era effort
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power windows was what they were trying for after moving pictures.....
signals lacks guitar and they were adapting to mtv and gup is their most hated effort after caress of steel, in fact they almost broke up over making that record, they admittedly say it was like pulling teeth, not to mention a very close friend of theirs died which affected their mood
hyf was a power windows afterthought, notice synths dropped off significantly after that, but it would be my 2nd choice
signals lacks guitar and they were adapting to mtv and gup is their most hated effort after caress of steel, in fact they almost broke up over making that record, they admittedly say it was like pulling teeth, not to mention a very close friend of theirs died which affected their mood
hyf was a power windows afterthought, notice synths dropped off significantly after that, but it would be my 2nd choice
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And that was my point. Power Windows was more guitar laden. While there is some synth in there, it doesn't even come close to the levels of synth that Signals, Grace Under Pressure, and Hold Your Fire have.mothster wrote:power windows was what they were trying for after moving pictures.....
signals lacks guitar and gup is their most hated effort after caress of steel, in fact they almost broke up over making that record, they admittedly say it was like pulling teeth, not to mention a very close friend of theirs died which affected their mood
hof was a power windows afterthought, notice synths dropped off significantly after that
Grace Under Pressure was aptly titled because of all they band went through. I actually think that is a great CD. Very underrated to say the least. It's a much better effort than Presto and Roll The Bones.
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I'm not trying to equate more synth to the deifinitive CD of that era. Hold Your Fire has the most, but I would rank that as the 3rd best of those 4 CD's. While I agree Power Windows uses synth on every song. Signals uses the synth more distinctively and better than any of the other 3 CDs of that era.mothster wrote:your equating more synth as definitive to the synth era, i'm not
there's synth in every power windows song
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gup is very one dimensional and robotic (on purpose perhaps) i also thought it was the weakest tour.......presto is just a flat out anomaly..........fortunately the roll the bones songs played live exceptionally wellMuchoBulls wrote:And that was my point. Power Windows was more guitar laden. While there is some synth in there, it doesn't even come close to the levels of synth that Signals, Grace Under Pressure, and Hold Your Fire have.mothster wrote:power windows was what they were trying for after moving pictures.....
signals lacks guitar and gup is their most hated effort after caress of steel, in fact they almost broke up over making that record, they admittedly say it was like pulling teeth, not to mention a very close friend of theirs died which affected their mood
hof was a power windows afterthought, notice synths dropped off significantly after that
Grace Under Pressure was aptly titled because of all they band went through. I actually think that is a great CD. Very underrated to say the least. It's a much better effort than Presto and Roll The Bones.
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Though many live Rush songs are better than their studio recordings, GUP is the one album that probably exemplifies this the most. I used to always think Between the Wheels was a fun song, then I heard it live and played twice as fast, and I was totally floored. The jam at the end of that song is vintage Rush. Distant Early Warning also has much more impact live than its album version.
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Between The Wheels was easily the highlight of the R30 Tour. You could tell it was for the boys as well. The lighting was much grander for that song than for any other.William Cutting wrote:Though many live Rush songs are better than their studio recordings, GUP is the one album that probably exemplifies this the most. I used to always think Between the Wheels was a fun song, then I heard it live and played twice as fast, and I was totally floored. The jam at the end of that song is vintage Rush. Distant Early Warning also has much more impact live than its album version.
Afterimage is a song off of Grace Under Pressure which I wsih they would play live. Alex's solo in that song is killer.
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i edited out the slow break parts in 'enemy within' and put it on a dance track for a frat party back in the day, worked wellWilliam Cutting wrote:Other than Geddy's neat little tamperings on the bass in that song, The Body Electric is pretty unlistenable. Easily the worst song off GUP. Lyrically, it's just too cheesy...even for Neil Peart.
edit: mucho - I'd be happy if they played Afterimage, Kid Gloves or the Enemy Within on the next tour.
the body electric is a perfect representation of gup
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