Review: The Book of Mormon
Posted: Tue Aug 13, 2013 11:35 am
No, not a review of the actual book, but of the Broadway play from the creators of South Park, Trey Parker & Matt Stone, with Robert Lopez. Admittedly, I'm probably not the most qualified critic of such musical productions, having only seen one on Broadway (The Addams Family, starring Brooke Shields as Morticia), and only one other production (Spamalot!) by a touring company. The show we attended was at the Kennedy Center Opera House in DC, which, I’ve been told, is where Screw_Michigan lives.
The play centers on two 19-yr-old Elders embarking on their two-year Mormon mission - Kevin Price & Arnold Cunningham. Elder Price is a top-of-his class kinda guy the rest of the Elders look up to, while Cunningham, uh, isn't. He's more of a Patton Oswalt-type character; short, unkempt, excitable, and lazy, with a tendency to embellish the truth, shall we say. While the other Elders are getting paired up and given assignments to Norway ("Land of gnomes! And trolls!"), France, and Japan, Price & Cunningham, predictably, get paired with each other. I have to believe at least one of the playwrights is familiar with our little family of smack boards, since when one of the missionaries, Elder Thomas, introduces himself, he says, “The elders here all call me Elder Pop-Tart.” Price's dream location for his mission is Orlando, and he hopes (and prays) that the hard work he has put in and favorable status with those making the assignments will result in his getting his desired locale. Of course, such is not the case, as he & Cunningham are assigned to Uganda.
Upon arrival at the African village, their luggage is immediately stolen, and they are introduced to the corrupt & evil tribal chief, General Buttfucking Naked, whose hot Nubian daughter, Nabulungi, has her name consistently mispronounced by Cunningham (Jon Bon Jovi, Neutrogena, Neosporin, Necrophilia, and Nikki Minaj are among the names he calls her). Price & Cunningham meet up with the other Elders of District 9 whose arrival preceded theirs, and are told that, to date, their mission of converting the locals to the Mormon faith has resulted in a grand total of zero baptisms. The story takes off from there, with Elder Cunningham’s vivid imagination, combined with the fact that he admits to having never read the Book of Mormon, setting the stage for his attempts at convincing the jungle bunnies of the benefits of becoming Latter-day Saints and the relevance of the Book to their daily struggles.
The audience is educated as to the basic teachings of the Book of Mormon and how it differs from other Christian religions, with appearances by Moroni, Mormon, Joseph Smith, Brigham Young, and, of course, Jesus. While familiarity with South Park is not essential to fully enjoy the play, there are winks & nods to the show that regular viewers will get and appreciate, such as depictions of Hell and some of its residents, including Hitler, Jeffrey Dahmer, Genghis Khan, and Johnny Cochran.
While I am in no way an authority on dance, the individual moves and choreography of the play are hilarious. The play features 21 songs, with highlights including “You and Me (But Mostly Me),” “Hasa Diga Eebowai,” “Man Up,” and “Spooky Mormon Hell Dream,” the latter two featuring somewhat impressive guitar licks from Ethan Pakchar. The play is divided into two acts, with Act I being more humorous and having better music, as was the case with The Addams Family and Spamalot!. But all in all, the acting, dancing, music, dialog, scenery, and production were outstanding, making for a thoroughly enjoyable two-and-a-half hour experience.
Unbridled irreverence and over-the-top offensiveness are the hallmarks of Parker & Stone, and both shine through in The Book of Mormon, as exemplified by the English translation of “Hasa Diga Eebowai” (which I won’t divulge here at the risk of spoiling for those who may wish to attend the play at some point; however, I won’t be so courteous in TuneTown). If you find sacrilege and heresy distasteful, or are otherwise easily offended, I would not recommend this play. Then again, I wouldn’t recommend this board if that were the case. But if pokes at religion don’t bother you, and the production comes to a playhouse near you, I strongly suggest you attend The Book of Mormon. You will be entertained.
The play centers on two 19-yr-old Elders embarking on their two-year Mormon mission - Kevin Price & Arnold Cunningham. Elder Price is a top-of-his class kinda guy the rest of the Elders look up to, while Cunningham, uh, isn't. He's more of a Patton Oswalt-type character; short, unkempt, excitable, and lazy, with a tendency to embellish the truth, shall we say. While the other Elders are getting paired up and given assignments to Norway ("Land of gnomes! And trolls!"), France, and Japan, Price & Cunningham, predictably, get paired with each other. I have to believe at least one of the playwrights is familiar with our little family of smack boards, since when one of the missionaries, Elder Thomas, introduces himself, he says, “The elders here all call me Elder Pop-Tart.” Price's dream location for his mission is Orlando, and he hopes (and prays) that the hard work he has put in and favorable status with those making the assignments will result in his getting his desired locale. Of course, such is not the case, as he & Cunningham are assigned to Uganda.
Upon arrival at the African village, their luggage is immediately stolen, and they are introduced to the corrupt & evil tribal chief, General Buttfucking Naked, whose hot Nubian daughter, Nabulungi, has her name consistently mispronounced by Cunningham (Jon Bon Jovi, Neutrogena, Neosporin, Necrophilia, and Nikki Minaj are among the names he calls her). Price & Cunningham meet up with the other Elders of District 9 whose arrival preceded theirs, and are told that, to date, their mission of converting the locals to the Mormon faith has resulted in a grand total of zero baptisms. The story takes off from there, with Elder Cunningham’s vivid imagination, combined with the fact that he admits to having never read the Book of Mormon, setting the stage for his attempts at convincing the jungle bunnies of the benefits of becoming Latter-day Saints and the relevance of the Book to their daily struggles.
The audience is educated as to the basic teachings of the Book of Mormon and how it differs from other Christian religions, with appearances by Moroni, Mormon, Joseph Smith, Brigham Young, and, of course, Jesus. While familiarity with South Park is not essential to fully enjoy the play, there are winks & nods to the show that regular viewers will get and appreciate, such as depictions of Hell and some of its residents, including Hitler, Jeffrey Dahmer, Genghis Khan, and Johnny Cochran.
While I am in no way an authority on dance, the individual moves and choreography of the play are hilarious. The play features 21 songs, with highlights including “You and Me (But Mostly Me),” “Hasa Diga Eebowai,” “Man Up,” and “Spooky Mormon Hell Dream,” the latter two featuring somewhat impressive guitar licks from Ethan Pakchar. The play is divided into two acts, with Act I being more humorous and having better music, as was the case with The Addams Family and Spamalot!. But all in all, the acting, dancing, music, dialog, scenery, and production were outstanding, making for a thoroughly enjoyable two-and-a-half hour experience.
Unbridled irreverence and over-the-top offensiveness are the hallmarks of Parker & Stone, and both shine through in The Book of Mormon, as exemplified by the English translation of “Hasa Diga Eebowai” (which I won’t divulge here at the risk of spoiling for those who may wish to attend the play at some point; however, I won’t be so courteous in TuneTown). If you find sacrilege and heresy distasteful, or are otherwise easily offended, I would not recommend this play. Then again, I wouldn’t recommend this board if that were the case. But if pokes at religion don’t bother you, and the production comes to a playhouse near you, I strongly suggest you attend The Book of Mormon. You will be entertained.